CLASSICAL MUSIC

Was Anton Bruckner a symphonic genius — or a colossal bore?

Audiences have a remarkable chance to hear the composer’s epics in his 200th anniversary year. Two British maestros explain why the Marmite composer is worth it

The Austrian composer Anton Bruckner
The Austrian composer Anton Bruckner
GETTY IMAGES, ALAMY
The Times

As even its organisers admit, putting on a weekend of concerts devoted to Anton Bruckner — as the Glasshouse music centre (formerly the Sage) in Gateshead is about to do — does seem rather like doing a food festival devoted to Marmite. Born 200 years ago, the Austrian composer wrote nine massive symphonies regarded by his devotees as unrivalled masterpieces of orchestral grandeur and cosmic power — and by his detractors as monumental bores.

I perch in the first camp, mostly. Much more wholeheartedly so does Alpesh Chauhan, the 31-year-old British conductor who will close the weekend with Bruckner’s unfinished (but still enormous) Ninth Symphony — the one that the composer, the most devoted of Catholics, dedicated to his “beloved God”.

“It’s strange for a