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Stephan Balkenhol

(Germany, Born 1957)
Estimate
400 000 - 600 000 SEK
34 900 - 52 300 EUR
36 500 - 54 700 USD
Hammer price
480 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Louise Wrede
Stockholm
Louise Wrede
Specialist Contemporary Art, Private Sales
+46 (0)739 40 08 19
Stephan Balkenhol
(Germany, Born 1957)

"Mann mit Hand im Hemd"

Executed 1997. Carved wood painted with pigments and acrylic emulsion 215 x 70 x 49 cm. Man height 118 cm. Painted wooden base 96 cm high.

Provenance

Lars Bohman Gallery, Stockholm.
Private Collection, Stockholm.

Exhibitions

Lars Bohman Gallery, Stockholm, "Stephan Balkenhol", 1997.

More information

In 1987, Stephan Balkenhol was first recognized for his wooden sculptures. Ten years later, the auction’s sculpture “Mann mit Hand im Hemd” was shown in the gallery Lars Bohman in Stockholm. With a soft roughness, Balkenhol chisels out men and women from large singular pieces of wood; reliefs, sculptures, full figures and portraits. There are obvious parallels to ancient marble sculptures, with the most obvious difference being that Balkenhol’s figures are dressed. For us Swedes, of course, there is the connection to the figures of the Döderhultarn by Axel Petersson. They have the material and everyday motif circuit in common, but Balkenhol works in a tighter and more stripped-down style. His wooden sculptures are rough and painted in bright colours. Balkenhol’s sculptures are also much larger, in some cases monumental. With traditional tools like hammers and chisels, seemingly ordinary men and women grow out of large singular wooden blocks, figures he himself refers to as ‘Everyman’. They wear everyday clothes and give no clues about social status, occupation or personality. Facial expression is always serious and neutral. This particular de-identification paradoxically enables an identification: they are none at all, and at the same time each of us. Balkenhol’s sculptures have been showcased in many institutions and public settings, attracting attention in cities such as Rome, London, Paris, Berlin and New York. He is represented at nearly 100 international institutions, including: Neue Pinakothek in Munich, the Peggy Guggenheim Collection in Venice, the National Museum of Art in Osaka, the Art Institute of Chicago and the Hamburger Bahnhof in Berlin.. A solo exhibition of recent sculptures by Balkenhol opened at Stephen Friedman Gallery in January 2023. Other notable solo presentations include: ‘Stephan Balkenhol’, Lehmbruck Museum, Duisburg, Germany (2020–2021); ‘Stephan Balkenhol’, Museum Jorn, Silkeborg, Denmark (2020); ‘Le Prévu et l'Imprévu’, Palais d'Iéna, Paris, France (2020). Balkenhol is known to a Swedish audience through its two figures on stilts, six meters high, which since 2004 stand outside Chalmers University of Technology in Gothenburg.