Christian Mason
Voix Céleste für Streichorchester for String Orchestra
Partitur Score
Mietmaterial · Rental Material · Matériel en location
MM 2385419
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Christian Mason
Voix Céleste für Streichorchester for String Orchestra
Partitur Score
Printed in Germany
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Christian Mason | Voix Céleste
Contents I Melancholy: like the sad sighs of unseen angels II Fragile, like the horizon at sunset III Hymn of hope - hymne d’espoir: warm, peaceful, contemplative
Program Note 1 9 20
String orchestra (21 players): 1st violin (6 players) 2nd violin (5 players) viola (4 players) cello (4 players) contrabass (2 players)
Duration approx. 19 minutes
World Premiere Orchestre National d’Auvergne, cond. Roberto Forés Veses Clermont-Ferrand | 28/05/2021
Commissioned by the Orchestre National d’Auvergne Dedicated to Roberto Forés Veses
When I was a child we had an old harmonium in the house, with pedals for pumping air and a variety of stops, which I enjoyed pushing and pulling to change the sounds… Of all the stops, my favourite was always the voix céleste. So it is probably no coincidence that more recently many of my compositions feature tremolo harmonicas which employ the same principle of having two reeds slightly ‘out-of-tune’ with one another, in order to create a gently beating, pulsating tone. This piece doesn’t include any harmonicas or harmoniums, but it does take that special timbre as a starting point for my treatment of the string orchestra with some of the strings (A’s and E’s of the violins) being slightly retuned throughout, warming the tone, and creating a certain fragility; doing for sound what heat haze does for vision, when the view of the distance seems to tremble. With the turmoil that the pandemic has cast us into during the past year, our view of the future has never seemed more fragile and uncertain. Maybe because of this I felt the need for this music to hold us in a warm and comforting, if also melancholy, repetitive embrace. Looking the other way, to the past, I have a fond memory of my first visit to Clermont-Ferrand, before we even saw the pandemic on the horizon. After a nice lunch, Roberto (Forés Veses) and I climbed the Puy de Dôme, breathed the fresh air and took in the beautiful panorama. Hopefully the music can also convey that spirit of freedom and spontaneity. With that in mind I dedicate this piece to him.
© Christian Mason, April 2021
Breitkopf MM 2385419
III
IV
Christian Mason
Performance Notes ‘Voix Céleste’ Scordatura Inspired by the principle of slightly divergent tuning between pipes of the same note, as employed by voix céleste organ stops (and other related instruments such as tremolo harmonicas), some of the violins are re-tuned by micro-intervals to create beating ‘tremolo’ effect within the section when playing on the E and A strings. ° & &
Violin I [6 players]
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Violin II [5 players]
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II
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PLAYER 4
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PLAYER 5
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PLAYER 6
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Vibrato It should be assumed that the music is to be played senza vibrato unless otherwise specified. In some cases there are exaggerated vibrato gestures indicated graphically as follows:
Flaring vibrato = a short and sudden burst of wide vibrato (up to a semitone either side of the notated pitch)
Gradually intensifying/calming vibrato = similar to flaring vib. but occuring over a longer duration
Microtones Microtones are indicated by accidentals with arrows to show the direction of inflection. These symbols do not have an absolute meaning (i.e. they are not always, for example, quarter-tones) but should be interpreted according to context. There are three typical situations: 1. They are indicative of ‘spectral functions’ tuning a natural 7th (- 31 cents), 11th (- 49 cents) or 13th (+ 41 cents) [e.g. mvmnt. I, celli, b.33 - 44] 2. They can be understood as ‘melodic inflections’ for which interpretation as quarter-tones would be an effective solution [e.g. mvmnt. I, solo cello line beginning b.2, being joined by solo viola b.14, etc.] 3. They can be understood as ‘colourations’ or ‘distortions’ for which intervals smaller than a quarter-tone will be effective [e.g. mvmnt. III, celli, b.1 - 4]
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Breitkopf MM 2385419
Voix Céleste
Bow positions Bow positions are normally expressed as complete words, however in sections where the changes are more frequent the following abbreviations are used: S.T. = sul tasto M.S.T. = molto sul tasto ord. = ordinary position S.P. = sul pont. M.S.P. = molto sul pont.
Bow on bridge (pitchless) At the opening of the piece the lower strings are required to bow on the wood of the bridge to create a fluctuating breathy air noise without any pitch. pitchless air noise: bow on bridge
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Breitkopf MM 2385419
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Dedicated to Roberto Forés Veses
Voix Céleste melancholy: like the sad sighs of unseen angels
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∑
w™ ˙™
Ó™ o
?
K œo
# ˙- ™
Ϊ
Ϫ
ff
w™
ppp
p
5
w™
œ
o
#˙ ™
Ϊ
ff
mp
bw ™
˙™
pp
mp
p
Ó™
œ
pp
Ó™
˙
ppp
pp
jœ. J
kœ
b˙
œ
sul pont.
p
mf
B b˙
bw ™
? ‹
Ó™ o
mf
pp
pp
Ó™ o
ww ™
Ó™ o
˙™
˙™
˙
mp
˙™
ppp
Bœ
˙™
˙™
˙˙ ™
Ó™ o
b˙ ™
-˙™
& bw~ ™™
bw~ ™™
Leseprobe B
Ó™
pp
mf
pp
5
f
˙
pp
Πo
5
L˙ ™
Ϊ
œ
˙™
pp sul pont.
? bw ™ ‹ pp Cb. ˙o ¢& ‹
Jœ
sul pont.
mf
˙™
˙™
f
mf
Œ
? Œ
L˙ ™
Ϊ
p
˙™
ppp
p
ord.
˙™
##w~ ™™
f
Ó™
™ & bw
Ó™ o
# -˙ ™
œo
B
ff
k œo
o
& ‹
Voix Céleste
5 5
calm and distant, but with growing intensity
E
° senza vib. & w~ ™™ pp 41
Vln. I
& &
-™ ##~w ™
##w~- ™™
# w- ™
#w- ™
w™
senza vib. pp
˙
œ Œ o
Vln. II
solo sul pont. III
Œ
‰ œ
Œ
4
Lœ ‰ J
œ. J Œ
4
pp
B
Cb.
B & ‹ ¢& ‹
˙™
# -˙
con vib.
˙™ 5
4
pp
mf
f
ppppp
ppp
p
ppppp cresc. poco a poco
o w™
o w™
o w™
p
ppppp
>o ™ w
Œ Ó™ o
II
4
Lœ ‰ J
œ. J Œ
4
pp
p
˙
pp
™ Œ ™ L˙
senza vib.
#œ ˙™
f
˙™ 5
ff
K˙ ™
nwIIw ™
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ww ™ ww ™
p
‰ œ
∑
##œO Ȯ ™™
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ww™™ ww™™ ww™™ ww™™
nI-˙ ™
solo
senza vib.
microflux
I microflux
II
Leseprobe
o w™
Ȯ
˙™
Ó™ o
˙™
5
pp
k˙ ™ II
pp
˙™
œ ‰™ œ ™ œ™ J
4
mp
œ nœ
Ȯ ™™
mf
Ϫ
œ™ ‰ ‰ lœ nœ J
Ȯ ™™
OœnnOœ
-˙™
tutti I
∑
˙o
##Ȯ mf
ppppp cresc. poco a poco
tutti Vc.
p
gli altri sul tasto
&
Vla.
Ȯ ™™
con vib.
˙™
>o ™ w
5
Ϫ
œ™ ‰ ‰ lœ nœ J 4
pp
>o ™ w
mp
microflux
w™
cresc. poco a poco
œ ‰™ œ ™ œ™ J
4
˙™
5
pp
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w™
>o ™ w
mf
f
Ó™ o
Ϊ
>o ™ w
L˙ ™ f
˙™ 5
ff
ppppp cresc. poco a poco
p
= 47 > ° Ȯ ™™ &
f
Vln. I
&
>˙ ™
f
p
œ >˙ p
b ~w ™™
Ȯ ™™
con vib.
Ȯ
Oœ >Oœ Ȯ ™™
>O œ
Ȯ
ff
œ >œ ˙ ™
Ȯ
#œO Ȯ ™™ p
Ȯ ™™
#œ ˙ ™
˙™
senza vib.
Sample page
w™
con vib.
˙™
#>˙- ™ Œ™
˙
jœ ˙ J
ff
>œ
˙
˙
senza vib.
p
œ ‰ Ó™ jœj Ó™ œ™ Œ J & jœ. œ- ™ 5 4 > fff o o ff fff p + trem. irreg. micro-flux ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ stop con vib. 7 ww™™ w™ #w & ww™™ ˙7™ ˙™ w™ > ™ ˙™
Vln. II
Oœ >Ȯ
Ó™
Ϊ
>Ϫ
Ϫ
II ord. 4 III
ff
4
nœ n-œ > ff
dim. poco a poco
p
œj Lœ ™ œ. L>œ ™ 4
w™
>Ȯ ™ ™ ff
>˙™
ff
‰ #œ lœ œ ™ œ #œ lœ œ ™ œ. > o f p 4
stop micro-flux ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ con vib. > ™™ ww ™ ww ™ ™ ™ ™ #ww ˙ ˙ w w™ B 7 7 + trem. irreg.
Vla.
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ >™ w™ w™ #w ˙™ ˙™ w™ w™ B 7 7 ff + trem. irreg.
Vc.
Cb.
& ‹ ¢& ‹
˙™ >o ™ w
Ó™ o
Œ™ >o ™ w
Ϊ
#>-˙ ™
ff
>Ϫ
Ϫ
5
ff
4
>o ™ w 7
jœ ˙ J fff
trem. irreg.
ff
œ ‰ J o ? ‹
Ó™
molto sul pont.
p
dim. poco a poco
p
dim. poco a poco
>Ϫ fff
Ó™
molto sul pont.
>- ™ œ
fff
Breitkopf MM 2385419
4
4
jœ. J
Ó™
Œ
p
j œ. J p
Ó™
Œ
> n-œ 4
ff
> n -œ 4
ff
œ. L>œ ™ J 4
œ. L>œ ™ J 4
o o
> . ‰ #œ lœ œ ™ œ f
‰
4
p
> # œ l œ œ™ œ. f
4
p
6
Christian Mason
6
™ ° ## ~w ™ & 53 # ~ ™ ° # pw ™ Vln. I & #w™ 53
6
Vln. I
Vln. II
Vln. II Vla.
Vla. Vc.
&
& &
bœO Ȯ
bœOœ Ȯ˙
# pw ™
f
œ f˙
∑ & & w™
senza vib.
& #ww™™ B
senza vib.
™ #wmicro-flux Bstop con vib. ™ B w w™
stop micro-flux con vib.
B & ‹ Cb. & ? ‹ Cb. ¢‹ Vc.
w™
‰ œ
∑
4
œj Œ œ. pp œj Œ œ.
œ. J pp œ.. Jœ J pp .œ pp J
Œ
mf
Vln. I
&
∑
& Ó™ &
Œ ∑
& Ó™
Vln. II
Vla.
Vla.
Vc.
## Ȯ ™™
Ȯ˙™™™
###Ȯ˙™™™
n ppp œ ˙™ ppp
4
#˙ ™
4
Ó™ o Ó™ o Ó™
™ #n#Ȯ˙™™ #˙ ™
Ϫ Ϫ Ϫ Ϫ
lœ nœ lœ nœ 4 lpp œ nœ lœ nœ 4
pp
4
4
o Ó™ œj o ‰™ œ. œj ‰™ œ. ∑ ∑ ∑
o
gli altri I ppppp
Ϫ Ϫ 5 ppp Ϫ Ϫ 5
ppp
o ˙™
w™
w™ w™ ppppp w™ ppppp w™ ∑ w™
w™ w™ w- ™ w™ w- ™ ∑
w™ w™ w- ™ w™ w- ™ ∑
w- ™ K w- ™
w- ™
ppppp solo IV
w- ™
∑ w- ™
∑
w- ™
solo ppppp IV
∑
Ó™ o .œ Ó™ œ ™ J o ‰™ 5 œ™ œ.. ‰™ ppp œ™ Jœ J ‰™ ppp 5 œ™5 œ. ppp J ‰™
?
p
w™ ˙™
senza vib. ppppp
˙™ ˙™
ppppp
˙™
5
5
5
5
œ™ œ J
œ™™ œ Jœ œ J œ™ œ J
˙™
lœ nœ
lœ nnœœ lœ
4
4
pp
l pp œ nœ pp
4
4
˙™ œ™ œ™ œ™ œ™
4
4
4
4
pp
˙™
œ ™ ppp
Ϫ
œ™™ œ œ™
?
solo IV ppppp
w™
solo ppppp IV
w™ ˙™
ppppp
˙™ ™ w w™
Ó™ o Ó™ o
-˙™
5
# w- ™
w™
gli altri ppppp I
Ϫ Ϫ Ϫ Ϫ
U ∑
w™
Leseprobe
Lœ ‰ J
Lpœ ‰ LJœ 4‰ J p 4 Lœ p ‰ J 4
™ #n Ȯ ™
# w- ™
K w- ™
o o
U ∑ U ∑ U ∑ U ∑
U U ∑∑
U ∑ U ∑
∑ w- ™
U ∑ U ∑
w™
w™
∑
U ∑ U ∑
∑
∑ ∑
∑ ∑
∑
∑
U ∑ U ∑
& & ? ‹
? ‹
U ∑
#˙ ™
‰ Œ -˙™ œ™ # p˙ ™ o ppp ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ microflux ‰ Œ gli altri # Ȯ ™ Ȯ ™ Ȯ o Œ ppp pÓ™ ™ # ™ o ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ o microflux pp gli altri solo Ȯœ Œ Ó™ œ œ ## Ȯ˙™™ œ #Ȯ˙™™™ o o pp solo Œ Œ Œ Œ Œ œ ˙ œ œ # mp ˙™ œ o ppp ppp con vib. div. in 4 w™ ˙™ Œ Œ Œ Œ Œ con sord. # w ™ w ™ ˙˙ ™™ o mp ppp ppp ™ Ó ™vib. ™ w ˙ con ™ ™ div. in 4 w ˙ o p con sord. # ppp w ™™ ˙˙ ™™ w ™ 3 3 3 3 Lœ j #wœ ™Lœ Lœ j #œ œ Lœ j #˙œ™Lœ Lœ j #Ó-œ œ L -œ 3 œ ‰ ‰ J œ ‰ ‰ #œ ‰ ‰ J œ ‰ ‰ œ ‰ ‰ J œ ‰ ‰ #œ ‰ ‰ J œ ‰ ‰ œ ‰ ‰ J œj ‰ ‰ o ppp p 3 3 3 3 3 3 3 3 3 3 3 3 Lœ # œ- Lœ poco a poco L œ# œL œ# œ- Lœ L œ# œ- 3 Lœ 3 œ ‰ ‰ J œj ‰ ‰ cresc. #œ ‰ ‰ J œj ‰ ‰ œ œ ‰ ‰ J œj ‰ ‰ [ppp] #œ ‰ ‰ J œj ‰ ‰ œ œ ‰ ‰ J œj ‰ ‰ 3 3 3 3 3 -œ n œ # œ 3 -œ n œ # œ 3 -œ n œ # œ 3 -œ n œ # œ 3 -œ n œ # # 3 3 3 3 3 J J J J œ ‰ ‰ jœ ‰ ‰ cresc.‰ poco ‰ œ ‰ ‰ ‰ a jpoco ‰ ‰ œ ‰ ‰ ‰ ‰ œ ‰ ‰ [ppp]‰ ‰ œœ œœœ3 3 3 3 3 3 3 3 3 3 3 3 3 œ 3 poco-a poco n œ # œ n œ # œ n œ # œ -œ n œ # cresc. - nœ [ppp] J ‰ ‰ jœ ‰ ‰ #œ J ‰ ‰ œ ‰ ‰ œ J ‰ ‰ jœ ‰ ‰ #œ J ‰ ‰ œ ‰ ‰ œ ‰ œ ‰ ‰ œœœ˙ ™3 œ# w ™3 œ3 3 3 3 3 3 3
Sample page Ó™
cresc. poco a poco
˙˙™™
[ppp]
# ww™™
o Ó™
wo ™ div. (nat. harm. on I & IV) ˙™o wo ™ soli w™ w ™ o ™ p˙ ™ ppp ppp Ó & w™ ™ ˙ w™ o soli div. (nat. harm. on I & IV) o ppp p ppp ˙™ wo ™ wo ™altri Ó™ & gli ™ ™ microflux ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ˙ w™ w IV o pw ™ ppp ? ppp w™ w™ B
Vc.
sul pont. fast, light bow
Œ
& # -œ Lœ L -œ j 3 ∑# -œ œ # œ B sul pont. ‰ ‰ J œ ‰ ‰ solo fast, light bow 3 # ppppp œ- L3œ L œ j 3 # œ- œ3 # œ Bsul pont. solo ‰ ‰3 J œ ‰ ‰ - œ#œ fast, light bow 3 jœ ‰ ‰ #œ J 3‰ Œ3 B ppppp œsolo sul pont. 3 3 3 div. 2 bowppppp -œ œ # œ fast,inlight # con sord. J jœ ‰ ‰ ‰ BsenzaŒ vib. œ# w ™ 3 3 div. in 2 ppppp con sord. B senzawvib. # w ™™ solo
nnnœOœ
˙
∑ Œ ‰ œœ 4 Œ ∑ ‰mf 4 mfœ ? Œ ∑ ‰ = ¢‹ G hypnotic, kaleidoscopic 4 mf pp solo ˙™ #˙ ™ 61 = ° G hypnotic, kaleidoscopic & solo ˙™ # mp ˙™ 61 ppp ° Vln. I & ∑ mp & ppp
Vln. II
ppp
Ȯ ™™
j ˙™ 5 j L œ œ œ™ œ ‰ f ‰ ppp Lœ ˙ ™ œ4 œ™ œ 4 5 j mf Lpœ ˙ ™ œj™ œ ‰ œ ‰ L œ ˙ ™ œ ™ œ∑ w™ œ o p mf pp w˙ ™senza vib. l˙ ™ #˙ ™ L∑˙ ™ o ppppp ˙ ™senza vib. l˙ ™ #˙ ™ L˙ ™ senza vib. w™ w™ ppppp 4
∑
nnœO
Ȯ˙
f
p
p
Ȯ
with sustained stillness F solo # w- ™ # w- ™ with sustained stillness F solo # ppppp w- ™ # w- ™
p
ppp
gli altri ppppp microflux IV tutti unis. sul pont. ppppp
? w™ -˙ tutti unis. ? Cb. ¢ pont. ‹ sul -˙ pp ? Cb. ¢ ‹ pp
ppp
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ cresc. poco a poco [ppp] w- ™ w™ -˙ poco a poco ˙ -˙ cresc. [ppp] ˙ ˙ ˙ ˙ ˙ ˙ppp ppp
˙
pp
-˙
ppp
pp
ppp
˙
Breitkopf MM 2385419
˙
p
-˙
ppp
p
ppp
˙
˙
Voix Céleste
˙™
° & 64
7 7
Ϫ
-˙™
˙™
˙™
Ϫ
‰ Œ ‰ Œ 7 o o ppp mp Vln. I ™ -˙™ ˙™ ˙™ œ™ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ˙microflux œ™ microflux ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 64 ™ Ȯ Ȯ ™™ °& ## Ȯ ™™ Ȯ ™™ Ȯ Œ Ó™ ™ ‰ Œ ‰ Œ & o o pp o pp o o ppp mp Vln. I b œ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ˙microflux ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ˙™ ™ nœ #˙ œ œ ˙microflux Ȯ ™™ Ȯ ™™ # Ȯ ™ Ȯ ™ Ȯ ™ Œ Ó ™ ™ &# Œ Œ Œ Œ & o o pp o pp o p mp ppp ™ ™ Vln. II w ˙ b œ ˙™ nœ #˙ ™ œ˙ ™ œ bb ˙w w ™™ # ˙w w ™™ ˙™ bw ™ ™ Ó & ˙™ Œ Œ Œ Œ bw ™ & w™ ppp o p mp o ppp ppp p 3 3 3 3 ™ ™ 3 Vln. II w ˙ b w ™ œ L™ œ #œ Lœ j #œ œ œ Lœ j # ˙œ ™Lœ #œ Lœ j #œ œ œ Lœ j #w œ L™ œ #œ Lœ j # -œ œ œ L -œ j 3 b ## w w ™ ˙ ™ ™ B ™ ‰ ‰ J œ ‰ ‰ ‰ ‰ J œ ‰ ‰ ‰ ‰ J œ ‰ ‰ Ó™ ‰ ‰ J œ ‰ ‰ bw ‰ ‰ J œ ‰ ‰ ‰ ‰ J œ ‰ ‰ & ™ w3 ˙ b w ™ 3 3 3 3 3 3 3 3 3 3 [p] 3 ppp o ppp p 3 3 3 3 3 3 # œ-œ -œ #-œ3 n œ ## -œœJ -œ -œ3 n œ ## -œœJ -œ #-œ3 n œ ## -œœJ -œ -œ3 n œ ## -œœJ -œ #3-œ n œ ## -œœJ - -3 n œ # L L L L L J L œ œ L œ œ L œ œ j œ œ j œ œ j œ œ j j j j j ‰ #œ‰ ‰ ‰ J‰ ‰ ‰ ‰ ‰ œ‰ ‰ ‰ J‰ ‰ ‰ ‰ ‰ #œ‰ ‰ ‰ J‰ ‰ ‰ ‰ ‰ œ‰ ‰ ‰ J‰ ‰ ‰ ‰ ‰ #œ‰ ‰ ‰ J‰ ‰ ‰ ‰ ‰ œ‰ ‰ ‰ L œJ‰ ‰j ‰œ ‰ B Vla. B œ œ œ œ œ œ œœœœœœ3 3 3 3 3 3 3 3 3 3 3 3 [p] 3 3 3 3 3 3 3 3 3 3 3 3 [p] ™ ™ b w ˙ ˙™ 3 3 3 3 3 3 #œ -œ n œ # œJ -œ n œ # œJ -œ n œ #-œ n œ # œJÓ™ ‰ ‰ œ #-œ n œ # œJ ‰ ‰ œ #-œ n œ # œJÓ™ ‰ ‰ œ J j œ j œ j œ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ B ‰ ‰ ‰ ‰ ‰ ‰ Vla. ˙™ 3 œœœœb w ™3 œ˙ ™ 3 œ3 3 3 3 3 3 3 3 3 [p] o o p ppp p bw™ ˙™ ˙o ™ ˙™ bw ™ ˙™ B Ó™ Ó™ & ˙™ ˙™ bb w w™ ˙˙ ™ p ppp p oo oo p ppp p Vc. o ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ˙-™™ -™ bw ˙w-™™ ? w™ Ó™ Ó™ & ˙w™ b[p] w™ ˙™ o o pppp p˙ ˙ ˙ ˙ ˙ ˙ ˙˙ ˙ Vc. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ? Cb. ¢? w w- ™ w™ ‹ p- ™ ppp mf ppp mf ppp [p] = ™-˙ ˙™ # ˙ ˙™ ˙™-˙ œ™ ˙™-˙ ˙ ˙ ˙ 67 ˙ ˙ ˙ °? ‰ Œ Cb. ¢ & ‹ ppp o p ppp mp ppp p mf ppp mf ppp Vln. I microflux ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ = ˙™ # ˙Ȯ ™ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ˙™™ ˙™ œ™™ ˙™ 67 Œ Ó b Ȯ ™™ Ȯ ™ Ȯ Œ Ó™ °& ‰ Œ o & o o pp o ppp mp ppp p œ # œ # œ ˙ ˙™ œ œ Vln. I microflux ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ȯ ™ ™ ™ ™ Œ Ó b Ȯ Ȯ Ȯ Œ Ó Œ Œ Œ Œ Œ Œ & ™ ™ o o o ppp mp ppp o o pp ™ ™ Vln. II w ˙ œ˙˙ ™™ # œ #œ ˙™ œ˙ ™ œ # ˙w ™ w ™™ ˙™ ˙ ™ ™ Ó Ó & ˙™ Œ Œ Œ Œ Œ Œ Œ Œ w™ ˙™ & o o o o ppp mp ppp p ppp p 3 3 3 3 3 ™ ™ Vln. II w ˙ # ˙˙œ ™™Lœ Lœ j #œ œ Lœ j #w œ L™ œ Lœ j #œ œ Lœ j # ˙œ ™Lœ Lœ j #œ œ Lœ j 3 # # œ œ # œ œ # œ œ J J J J J ™ w ™ ˙ ™ B ˙ ‰ ‰ œ ‰ ‰ Ó™ ‰ ‰ œ ‰ ‰ ‰ ‰ œ ‰ ‰ ‰ ‰ œ ‰ ‰ ‰ ‰ œ ‰ ‰ Ó™ ‰ ‰ J œ ‰ ‰ & ™ ™ w ˙ ˙™3 3 3 3 3 3 3 3 3 3 3 3 [mf] fff o o p ppp p ## -œœJ Lœ #œ jœ3L -œ j#-œ3 n œ ## -œœJ œ œ œ3L -œ j -œ3 n œ ## -œœJ Lœ #œ jœ3L -œ j#-œ3 n œ ## -œœJ œ œ œ3L -œ j -œ3 n œ ## -œœJ Lœ #œ jœ3L -œ j#-œ3 n œ ## -œœJ œ œ œ3L -œ j -œ3 n œ B ‰ ‰ ‰ ‰ J‰ œ‰ ‰ ‰ ‰ ‰ ‰ ‰ J‰ œ‰ ‰ ‰ ‰ ‰ ‰ ‰ J‰ œ‰ ‰ ‰ ‰ ‰ ‰ ‰ J‰ œ‰ ‰ ‰ ‰ ‰ ‰ ‰ J‰ œ‰ ‰ ‰ ‰ ‰ ‰ ‰ J‰ œ‰ ‰ ‰ Vla. B œœœœœœ3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 [mf] fff [mf] fff™ b w #w™ ˙™ 3 3 3 3 3 3 #œ - n œ # œJ - n œ # œJ # œ œ #œ- n œ # œJÓ™ œ- n œ # œJ #œ- n œ # œJ œ- n œ J j œ œ j œ œ j œ œ B ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ Vla. w ™ 3 œ˙™ 3 œœœœb w ™ 3 œ3 3 3 3 3 3 3 3 3 [mf] fff o ppp po ppp ™ b w #w ™ ˙ ™ wo ™ ˙™ bw ™ Ó™ & w™ ˙™ B Ó™ bw ™ w™ ˙™ bppp w™ o ppp p Vc. o ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ppp po ppp -o ™ -™ ? w w™ w™ ˙w™™ b w ™ Ó & [mf] ™ ™ w ˙ bfff w™ o -˙ ppp p ppp ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ Vc. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ? ™ Cb. ¢? w™ w w™ ‹
Leseprobe
Sample page
? Cb. ¢ ‹
f [mf]
ppp
f
ppp
-˙
˙
˙
ff
ppp
ff
ppp
-˙
˙
Breitkopf MM 2385419
˙
fff fff
ppp
fff
ppp
-˙
˙
˙
8
Christian Mason
8
° & 70
Vln. I
˙™
Ϫ
‰ Œ o ppp microflux ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ™ Ȯ Ȯ ™™ Ȯ Œ & ™ o o pp bœ ˙™ œ ˙ &
Vln. II
bb w w ™™ bw ™ & bw ™ ppp
B
# œ- Lœ#œ 3
dim.
Vla.
Vc.
#˙ ™
rall.
p
˙˙ ™™ ˙™ ˙™
Πo
Œ
˙™
˙™
p
Ó™
b Ȯ ™™ o
microflux
Œ
#œ
Œ
ppp
Ó™ o
˙
Ϫ
‰ Œ o ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ȯ ™™ pp o œ # œ. ˙
˙™ # ˙˙ ™™ ˙™
Leseprobe p
ppp
p
ppp
p
ppp
œ. œœ œ
˙ ˙˙ ˙
L -œ j 3 # -œ œ œ L -œ j 3 # -œ Lœ#œ L -œ j 3 # -œ œ œ L -œ j 3 # -œ Lœ#œ L -œ j 3 # -œ œ œ L -œ j 3 ‰ ‰ J œ‰ ‰ ‰ ‰ J œ‰ ‰ ‰ ‰ J œ‰ ‰ ‰ ‰ J œ‰ ‰ ‰ ‰ J œ‰ ‰ ‰ ‰ J œ‰ ‰ 3
3
3
3
3
3
3
3
ppp
3
3
3
3 3 3 3 3 3 #œ -n œ -n œ # œ -n œ # œ -n œ # œ -n œ # œ -n œ # œ J ‰ ‰ jœ ‰ ‰ #œ J ‰ ‰ œ ‰ ‰ œ J ‰ ‰ jœ ‰ ‰ #œ J ‰ ‰ œ ‰ ‰ œ B J ‰ ‰ jœ ‰ ‰ #œ J ‰ ‰ œ ‰ ‰ œ œœœœœœ3 3 3 3 3 3 3 3 3 3 3 3 dim. ppp ˙™ #w™ ˙™ B Ó™ Ó™ w™ ˙™ ˙™ o o ppp p p o o ˙™ w™ ˙™ Ó™ Ó™ & ˙™ ˙™ w™ o o p ppp p ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w- ™ ? w- ™ w™
ppp
dim.
? Cb. ¢ ‹
-˙ fff
˙ ppp
˙
-˙
˙
mf
ppp
˙
-˙
˙
p
ppp
Sample page
Breitkopf MM 2385419
˙
√ ∑ √ ∑ √ ∑ √ ∑ √ ∑ √ ∑ √ ∑ √ ∑ √ ∑ √ ∑
Voix Céleste
9
II A ° 4 Violin I &4
fragile, like the horizon at sunset q = 80 - 88
[6 players]
4 &4
Violin II [5 players]
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
B 44 ˙ ™
Viola [4 players]
con sord. IV
-œ
ppp
p
? 44 1.
˙
∑
? 44
w
ppp
Contrabass [2 players]
œ ˙™
∑
œ ™ L-œ œ J
nœ
o ˙ o
Ó
o ˙™
o œ
‰ o
˙™
œ
sim.
∑
˙™
œ
∑
ppp
˙™
˙™ -
ppp
˙
Œ
˙™
Airy sound: very light bow III
Œ
non harm. gliss. Lœ
p
Ó o
sim.
w
∑
-˙
#˙
p
ppp
Ó
3
˙
n˙
œ Jœ œ œ œ
IV
Ó
Œ nœ o
∑
œ
ppppp lontano
∑
œ œ œ™
mp
senza vib. Airy sound: con sord. very light bow
solo
∑
p
?4 ¢‹ 4
œ ‰ -œ ˙ J o p ppp
˙
>Ȯ
Ó
∑
Leseprobe
∑
con sord. Airy sound: 2.3.4. very light bow
Violoncello [4 players]
œ Œ -˙ o 3p
˙
[1 player]
con sord. senza vib. (unless specified)
5
∑
∑
˙o ™
˙™
œ
w
=
B ° Vln. I & 9
flaring vibrato
Ȯ ™™
Oœ Oœ p
Ȯ ™™
>Ȯ
[1 player]
Oœ Oœ Oœ
Ó
ppppp
Ó o
p
flaring vibrato
>Ȯ
con sord. [1 player] senza vib. (unless specified) Vln. II
Vla.
∑
&
Œ
-œ
B ˙™
˙
Oœ
p
Vc.
ppp
?
mp
˙™
w
ppp
Cb.
? ¢‹
œ
mp
∑
sim.
∑
˙
Oœ Oœ Oœ
p
Œ
nœ œ™™
3
œ J˙ ∑
˙™ w
ppp
œ œ #œ ™
mp
œ
˙
œ b-œ œ ˙ 3
˙
˙™
Œ
-˙™
œ
Breitkopf MM 2385419
sim.
Kœ J
∑
˙
˙
> KK Ȯ
pppp
˙
p
j˙
p
3
œ ‰Œ o
Oœ Oœ Oœ
pppp
n˙
3
˙™
Πo
ppp
Ó o j-˙
˙
> #Oœ
[3 players]
Ȯ
[2 players]
Ȯ
ppp
mp
mp
p
p
Lœ ™ K -œ œ nœ J J-œ R
ppppp
Oœ Oœ
ppppp
III œ ‰ -˙ ™ J o ppp
ppp
˙
Ȯ ™™
> KK ~w
∑
o
∑
Πo
∑
[2 players]
ppp
œ Œ -˙ 3 o ppp
˙
˙™
˙ Jw3
Oœ Oœ Ȯ ™™
ppppp lontano
p
?
> ## Ȯ
[2 players]
Ȯ
Sample page Πo
ppp
Ȯ
Œ ∑
O™
œ o
œ
˙ J˙
3
∑
˙
˙
˙
10
Christian Mason
2
C ° Vln. I & 17
Vln. II
Vla.
> nn Oœ
[3 players] Oœ ##>Oœ Oœ Oœ & Œ 3o pppp
˙™
n-œ
ppp
mp
B
J˙-
˙
?
Ȯ ™™
>Ȯ Œ #
[4 players]
Ó
o > ## Ȯ
Ȯ
mp
œ Œ L-˙ 3 o mp
5
> nn Ȯ ™™
[4 players]
o
Œ
Œ
œ
mp
? ¢‹
˙
Ϫ
J-œ
-˙
Ó
n-œ œ n œ J
Oœ
œ -œ
œ b˙
˙
∑
œ Jœ œ œ
œ
˙
Ó
œ
w
Œ
pp
˙
mp
˙™
-˙™
œ
mp
-˙
Œ Jœ -
‹ &
5
œ nœ- #œ bœ- nœ
∑
∑
#O ™
˙™
o
w
senza sord.
5
sim.
mp
pp
œ œ œ œ Jœ œ ˙
Πo
‹ &
mf
Ó
∑
mp
Oœ Oœ Oœ Oœ
n˙
3
Oœ Oœ Oœ
ppp
pppp
senza sord.
Πo
˙™
Œ
> #Oœ Ȯ
Π3 o
ppp
˙-
mp [5 players]
#˙
˙
mp
3
> nn Oœ Oœ
pppp
Leseprobe ppp
sim.
∑
Πo
~w
> #Ȯ
Ȯ
> ## Oœ Ȯ ™™
[5 players]
mp
œ ‰ -œ ˙ J o p ppp
˙
Oœ
mp
pppp
3
˙™
Ȯ ##>Oœ Ȯ 3
∑
Ó o
Oœ
pppp
Oœ Oœ Oœ
ppp
˙ J œ -˙
3
3
Ȯ
mp
w
mp
pp
Cb.
~w
mp
? Vc.
Ȯ ™™
œ
œ ˙™
=
D
tutti div. 1.2.3.
> # œ ˙™ ‹ ° Œ R & 5
sul A
& Œ
Vln. II
Vla.
5
ppp
Vln. I
‹ &
#Ȯ ™™ o
tutti div. 4.5.6.
tutti div. 1.2.3.
> #w
## Oœ ™™ ‰ & o
Ȯ
B ˙™
Πo
? ˙™ ?
Jœ >
mf
˙
˙
p
? Cb. ¢ ‹
Πo 3
mf
Ȯ ™™™™
bn>Oœ
> #œ œ nœ
mf
3
ppp
Œ
nOœ Ó Jo
˙
œ#œ ™ œ
Oœ nn>Oœ Ȯ
~w
mf
ppp
Ó
∑
> ˙
˙
ppp
mf
b Oœ ™™ ‰ o
Ȯ ™™
œ œ ™# œ ˙
œ˙ 3
5
ppp
Oœ
mf
n#>Ȯ
Ȯ
o
n>œ ˙ Œ R
œ #>œ R
ppp
mf
5
˙ o
w
˙
œ ˙™
˙
˙
sim. 3
œ œœ ˙ mf
> #œ œ œ œ R Œ ppp
˙ sim.
pp
Ó œ
˙
5
˙
o
mf
nOœ J Ȯ
˙
o
Œ
œ n˙ 3
ppp
∑
∑
Ȯ ™™™™
3
˙ #˙
pp
Ϫ
mf
> n ~w
mf
∑
Œ Ó œ œ#œlœ ˙™ 3
Breitkopf MM 2385419
˙
˙
˙™
œ >œ ™ œ 5
o
mf
#Ȯ ™™™™
J JOœ J o
ppp
˙ ™ Ȯ ™™
poco sul pont.
˙ o
gliss.
n˙
O™ œ
# œ-
p
˙
∑
˙
Œ o ∑
pp
∑
œ
#>˙ ‰ o ppp
mf
˙
˙™
bbOœ Jo
Ó
˙ Jw
gliss.
œ- œ
œ nœ œ ˙
#>œ
# Oœ Ȯ Œ ‰ J o
∑
Ó o tutti
gliss.
5
mf
#Ȯ ™™™™
Ó o
p
3
poco sul pont.
senza sord.
Œ ˙
œ
5
gliss.
∑
˙
Sample page
n œ œ œ >œ J ‰™ 5o mf ppp
ppp
tutti div. 4.5. sul A
Ȯ ™™
œ
mf
ppp
Vc.
œnœ ™ œ
˙
25
pp
Œ #œ o pp ∑
˙
œ
#-œ ™™ œR 3
Voix Céleste
11
3
E °‹ & 33
Vln. I
#>˙ ™
œ
pp
f
>O œ
## Oœ Ȯ J ‰ & o
Ó
o
f
& Œ
Vc.
B
> #Ȯ ™™
o
˙
f
3
pp
Jœ œ™™ ˙
mf
> ˙
Ó o
f
Ȯ ™™
J JOœ ‰ J o
Ó
pp
Œ
Ȯ ™™
Ȯ ™™
f
piu sul pont.
˙ o
nœ
3
˙
œ b˙
f
mf
=
˙
˙
pp
Vln. I
&
pp
‹ ˙ & f
Vln. II
&
Vla.
Vc.
Cb.
Ȯ
? ˙ ? ¢‹ ˙™
‰ ‰ o 5pp
> ## ~w
3
œ 5
con vib. > nœ œ œ #œ œ R J
nK ˙˙ ™ >-
˙
Œ
Ȯ
f
Ȯ ™™ K -˙
œ œ™ - bœ J œ 5
Œ
p
3
5
pp
Ȯ
b>˙
5
Oœ o
Œ o ∑
senza vib.
j3 œœ
nœ- bœ
nœ-
˙
pp
ff
gliss.
œ™ Jœ œ-
-œ
pp
> œ #œ ™ œ
#˙
5
cantabile
Ȯ
> œ nœ ™ ˙ J
7
>œ™ œ # ˙ J
3
bœ nœ
-˙
5
˙
#-œ
˙
o ˙
3
> Jœ
>˙
7
o
˙™
nœ
f
pp
œœ R
œ bœ œ ˙™™
˙™ >
f
œ
pp
Breitkopf MM 2385419
œ
bœ ˙
5
˙™
œ™ J ‰™ o
f (sul pont.)
˙ o
w f
sul tasto
Lœ ˙ R
-œ™™
dolce
˙™
œ
>œ 7
p
>O œ 7
p
~w Jœ-
nœ
-˙ Jœ
nœ
3
pp
3
gliss.
gliss. 3
> ≈##Oœ o
Ȯ ™™
p
˙
Ȯ ™™
f
>O ™ Ȯ ™ ≈ œJ ™ ™ Ó
∑
sul pont.
3
œ >œ™ œ œ™
7
p
Πo
#>O ™ O ‰# œJ ™ œ o5
Ȯ
œ™ œ J
>O ™ Ȯ ™ œ™ ™ Œ J 7
œ #>œ R
˙™
5
b >Oœ ™™ Oœ ‰ J o 5p
7
p cantabile
con vib. >O ™ Ȯ ™ O nœ ‰ œJ ™ ™ J o7 p
#œf
#-˙
Œ
Πo
œ™ bœ ˙™ >
> œnœ ™ œ
˙
con vib. Oœ nn>Oœ Oœ Ȯ J ‰ R o5 p
Πo
b >Oœ
˙™
(sul pont.)
#>œ ˙ ‰™ J
gliss.
con vib.
n˙ f
o
o
f
ff
pp
f
f
œ
f
#O ™
o
Sample page
Ȯ
B Ó
Oœ
III IV
œ
œ™ œ œ bœ œ nœ
œ ˙ >
> œ œ#œ œ
f
> #œ Œ ≈ 5 o pp
o
f
b Ȯ ™™
‰ o
œ
Ȯ
Πo
F
Ϫ
##Oœ ‰ J o
f
pp
5
f
3
Ȯ ™™
œ
p
> œ œ#œ ˙ °‹ Œ R J & 5
bœ
œ
39
5
3
gliss. 3
Oœ
œ
o
f
Ȯ
˙
œ˙ œ J
œ
˙
pp
ff
con vib.
˙
f
#>œ n œ R
~w
w
espress.
? Cb. ¢ ‹ >˙
Ȯ
o
J JOœ J
>œ
Πo
Leseprobe o
Ó
p
gliss.
## Oœ
Πo
f
˙
f
Œ
˙
5
œ
3
Ó
œ#œ ™ œ
> ˙
œ #œ œ J
pp
f
∑
n-˙
˙
3
Πo
Œ Ó o
3
? ˙
Πo
f
#Ȯ ™™
Vln. II
Vla.
œ
pp
5
˙
Oœ nn Oœ ™™ R ≈ o o
Ȯ
#>œ ˙™ ‹ & Œ R 5
‰
> nœ œ œ œ
œ b˙
œ
12
Christian Mason
4
°‹ ˙ &
˙
45
Œ ‰
3
f
& ‹ & Vln. II
&
Vla.
Vc.
œ œ #>œ œ œ™n œ J
#œ
7
j B œ‰ Œ > ? œJ K œ ™
Ó
bn>Ȯ ™™
5
#˙ 5
? Cb. ¢ ‹ ˙™
7
j #œ > pp j #œ >
˙
> ##Oœ
ff
Ȯ
J˙
˙-
˙
œ
3
˙ ™ Ȯ ™™
ff
œ
n -œ J œ œ n>œ J>œ nœ k ˙
mf
˙ #O
p
O
˙-
3
molto sul pont.
f
Lœ>
œ œ™ œ 5
cresc. Vln. I
˙
œ 3
sffz
sffz
molto sul pont.
˙-
œ œ™ œ J & 7
#>œ #œ œ œ p
7
œO
> œ nœ ™ œ J
& Ȯ B Lœ ™™ p
?
L œ ™™ p
Cb.
? ¢‹ ˙
7
##pȮ œ. R J-˙ >
cresc.
œO
˙ >-
ff
>œ œ™
˙
5
> #œ œ J
ff
mf
˙
> w
˙
5
ff
mf
>sul pont. œ™ ˙™ J
œ #>œ œ œ
˙
n˙
œ
Jœ-
ord.
œ p
5
7
ff
œ #>œ œ œ
˙
˙™
fff con forza
7
mf
fff con forza
≥ ˙>
˙
n˙
œ#>œ R
w
3
5
œ n>œ ™ œ
˙
5
#>œ
œn>œ ™ R
œ
7
n>œ ™ >œ J 7
#>˙ ™
> w
nœ J
˙™
mf
˙ ™™
˙ Jw
sul tasto
nœ J
3
pp
œ n>œ œ n>œ ™ œ J
5
ord. senza vib.
˙ ™™
˙ Jw
˙™
œ
f
n>œ
fff con forza
3
sul tasto
p
5
œ#>œ R
≥ œ>
˙™
7
mf
pp
3
ord.
fff con forza
w
˙
>#w ff
>œ #>œ ™ ˙™ J
7
ff
œ. nœ
double all notes at unison: I + II or II + III senza vib.
˙
ff
5
≥ ˙>
ord. senza vib.
œ œ™ R
3
o
>œ #>œ ˙ R
#œ ˙
œO œO œO œO >
>Ó #w
Ó
double all notes at unison: I + II or II + III senza vib.
pp
f
≥ ˙>
7
œ
˙
sul tasto
f
œ. >R J˙
œ œœ
7
cresc.
Vln. II
Vc.
˙
œ
7
Ȯ
ord.
Sample page Ȯ
cresc.
Vla.
> #œ œ œ J R sul pont.
3
& ~ w
œO œO œO Ȯ >
˙
>‰ nœ
ff
˙- #O
7
molto sul pont.
# œ. J
œ œ œ >œ œ œ
7
œO
ff
mf
5
7
Ȯ
p
œO ## œO ™™ œO > p
Ȯ
œ œ >œ ˙
œ
7
= 51 ° ˙ &
r œO ##œO Ȯ ™™ >
n>œ œ œ œ
˙
n˙ ™
5
5
ff
##Oœ
œ #>œ ™ œ
#˙
5
Leseprobe ˙-
J˙
3
˙ O
œ
œ #>œ ˙ ™ R
~ #w >
7
Ȯ ™™
G
5
ff
#>œ ™ # œ J &
œ œ œ #>œ ™ œ ˙ ™ J
7
poco sul pont.
5
5
p
7
Oœ >O Ȯ ≈ #œJ o7 p
Oœ
> nœ œ
R
Oœ >O Ȯ ™ œ ™ R
Ȯ
3
f
R &
œ œ™ œ
> #˙
œœ
5
n>O O Œ ‰œ œ
Ȯ
> œ˙
œ
5
p
Vln. I
Ȯ
> œ œ#œ ˙
˙
Breitkopf MM 2385419
˙
mf
K˙ ™
#>-œ
pp
˙™
mf
œ
#œ
molto sul pont.
#œ
fff molto sul pont.
#>-œ
˙™
pp
˙™
pp
œ
fff
œ >œ
>œ
>œ
Voix Céleste
5
H
° œ & 57
Vln. I
& & Vln. II
&
Vla.
Vc.
5
>œ œ > R J #œ
˙
˙
œ #>œ J
˙
w
œ#>œ ™ R
œ
3
œ
3
œ
7
˙™
œ.
˙
Cb.
≥ ? œ ¢‹ >-
fff
5
p
œ >œ R
œ
5
3
&
œ 5
œ >œœ R
7
7
& ˙
œ œœ œ >œ œ œ
-œ jœ
? lœ œ-
œ-
œ
3
Cb.
#˙
˙
? ¢‹ -˙™ mf
#O ™
œ
œ >-
molto sul pont.
>œ
ff
molto sul pont.
œ
ff III IV
œœ -
p
5
3
>˙
œ ™ n>œ ˙ J
œ >œ œ
#˙
7
#˙
#˙
˙ >-3
˙
7
œ >œ œ
˙
7
sul tasto
‰ Œ nœ- jœ œ- œ œo ppp
Ϫ
œ- œ
‰ Œ ?lœ nœ- lœ œ- œ œ7 o ppp
œ œ-
sul tasto
w
7
œ
sul tasto III II
p
≥ œ ˙™ >-
≥ ˙>
œ
p
Ϫ
#˙
œ
p
>˙
p
˙™
œ
ppp
sim.
O
˙
O
˙-
distantand and wistful suddeny distant wistful I suddenly q = 60 - 66
stop doubling at unison
> œ œ™ œ
˙
5
œ #œ ˙ R p
w w
solo con vib.
œ ‰ nœ J J
5
3
pp
˙
senza vib.
œ 5
dolce espress.
˙˙™™
w w
sul tasto
ppp
stop doubling at unison
> w
> #˙
fff
p sub.
w w
sul tasto
solo con vib.
œ™ nœ œ™ R J 7
stop doubling at unison
Vln. II
Vc.
˙
fff
œ >œ œ œ
> & #˙
B
w
Sample page 5
p
3
œ œ >œ ˙ J
œ™ n>œ ˙ J
#>˙ ™
3
œ œ L>œ-
fff
stop doubling at unison
>œ ˙ R
#>œ n>˙
˙
> ˙-
˙
5
˙
>œ œ #>œ R J
œ >œ R
œ™ #œ ˙
3
Leseprobe >œ œ
≥ ˙™ >-
Vln. I
Vla.
>- œ œ Lœ
rall.
° œ &
œ
5
w
5
= 63
œ œ >œ ˙ J
7
>œ œ
molto espress. molto sul pont.
˙™
7
>˙
œ >œ R 5
3
5
œ œ#>œ ™ R
>˙
˙™
> œ œœ œ
˙
>œ
> œ n-œ 3 œ &#œ
>>œ Lœ
5
7
7
> œ >œ œ œ œ
˙
5
œ œ >œ™ R
molto espress.
ord.
œ #>œ ™ œ
>œ ™ #>œ J
ord. . #œ B œJ ‰ Lœ œ nœ -> - œ > 3
?
13
fff
nœ >œ >
>œ
#>œ lœ >
>œ œ
>œ œ
>œ œ
>œ œ
5
5
œœ >œœ >œœ
fff
>œ œ
fff
7
w w
senza vib.
sul tasto
w
ppp sub.
senza vib.
w w
œ #œ œ
Œ
o
senza vib.
#œ
>-œ
˙™
fff
Ó
Œ
˙
˙ f
˙˙ ™™
w
˙™
w w
˙˙™™
sul tasto
Πo Πo
Πo
ppp sub.
molto sul pont.
>œœ >œœ fff
Breitkopf MM 2385419
∑
∑
>œ
fff
pp dolce espress.
w w
ppp 5
≈ o
˙
œ œ R
tutti div.
∑
14
Christian Mason
6
J ° & 68
Vln. I
turbulent, swirling, wild and energised q = 88 - 96 con vib. (molto)
˙
Ϫ 7
œ ˙™
>-œ œ R
># œ™ œ œR
p ord.
? ≥ b˙>
Cb.
° & 72
jœnœ œ > œ œ J œjœnœ jœ œ œ œ
˙™
J œ L>œ-
>-I ˙™
œ
3
fff molto sostenuto
o
fff
> #˙ -œ
nœ ˙ ™ R
œ
¢
?
˙
ord.
ffp ord.
œ >
ffp
fff
5
> #œ
˙ Jœ>
M.S.P.
Œ
o
fff
M.S.P.
œ
˙
œ
˙
Jœ>
fff M.S.P.
> J-œ
fff M.S.P.
ord.
œ>
˙™
œ >
ffp
fff
ord. >>œ œnœ J œ jœ b œ ˙ œœ œ n œ J œ j œ œLœ œ œ œ
M.S.P.
p
II I
> ˙-˙
7
p
b˙
œ >
Ϫ ord. I
7
Ϫ
ord.
o > # -œ
3
7
>˙
fff
M.S.P. œ L>œ- œ œ œ Jœjœœ
I
œœ
p fff
M.S.P.
nœ >-œ R
5 œ Œ >- œ œ Jœjœ œLœ œ œ nœ J œjœ œ œ œ œ œ
p
ord.
œ> p
ord.
œ >-
p
˙ > #˙ >
>œ R
ord.
5
5
œ bœ ™™ >-
˙
™™ ->œ bœ
˙ ord.
w
p ord.
˙
p
3
3
˙
3
3
r œ r œ
#œ œ R
œ
˙
5
fff
œ #>-œ ™ œ
˙
5
˙™
? ‹ ˙
7
œLœ œ œ œ œ œ œ œ œ œ œ œ- œ >
Sample page
? b˙ ™ ?
≥ Jœ>
Œ
fff
B #˙ ™ >-
Vc.
#œ œ R
ord.
Œ
>-œ™ 6 œnœ œ Jœ - jœœLœœ n œ n œ J œ j œ œ œ œr >
5
œ œnœ Jœjœ
œ
≥ bœ>
M.S.P. (= molto sul pont.)
ord.
& ˙™
Vla.
5
Πo
ff
ff
7
œ
o
˙
p [if low C is not available play this pitch 8ve above]
p
#>-œ J
ff M.S.P. (= molto sul pont.)
˙
œ œ J œ j œ œLœ œ œœ
≥ nœ>
˙
˙™
œ
≥ œ >-
M.S.P. (= molto sul pont.)
bœ ˙™
M.S.P. (= molto sul pont.)
& œ
fff
Leseprobe ≥ bœ>
p
˙ >-
œ
M.S.P.
Vln. II
Ϫ
M.S.P. (= molto sul pont.)
˙
Œ
™ œ ˙
Vln. I
Cb.
3
ff
≥
fff
b œ >-œ œ
‰
p
>-≥ ? b˙
=
>-œ ˙
b˙ ™
J˙
fff ord.
>≈ œ
ord.
6
5
M.S.P. (= molto sul pont.)
˙ >-
>-≥ b ? ˙ ‹ ¢
Œ
≥
fff ord.
>II œ bœ R
con vib. (molto) ord.
J˙
? b˙
M.S.P. (= molto sul pont.)
fff molto sostenuto
∑ ord.
Vc.
j œ œ nœ- œ > 3
œ
5
B
Vla.
7
>˙™
œ
p
œ #œ ™
p
7
7
3
fff molto sostenuto tutti con vib. (molto)
& #˙
œ™ r œ #œ
œœ R
Ϫ
7
fff molto sostenuto con vib. (molto)
œ œ >œ ˙ & J
Vln. II
b œ. >J ‰ ≈ œ™
> #-œ
œnœœ Jœjœ œLœœn ˙ ˙ >
˙™
œ >-
M.S.P.
f
M.S.P. 3
˙™
œ >-
f
˙ >
œ
Jœ
˙
#˙ >
œ
Jœ
˙
Breitkopf MM 2385419
3
bœ bœ
œ œ
Voix Céleste
° & 75
Vln. I
&
œ™ Lœ œ œ
M.S.P. > n -œ J œ j œ œ Lœ
nœ Jœjœ œ Lœ œ œ œ œ œ œ >7
>œ œ œ Jœ
M.S.P.
&
Vln. II
p
>œœ œnœ Jœjœ r J ≈ œLœ œ
œ ™™
fff
B
> nœ -œ
?
p
>-o
IV: high nat. harm. ad lib.
? j œ
>-o
‰
œ
fff
I: high nat. harm. ad lib. M.S.P.
? j ‹ œ. >
‰
œ
? j ¢ œ. >
M.S.P.
III: high nat. harm. ad lib.
‰
œ n œ J œ j œ nœLœ
œ
˙
5
J>œ
M.S.P.
>-o
-o
>-o
œ
˙ >
b>˙
˙ >
ff
b>œ
Œ
˙ >
ff
= ° & Vln. I
n>œ- ˙ > ≈#œ J
œ >-œ œ œ J œ j œ œ Lœ M.S.P.
ord.
œ jœ > p
5
œ œ œ
7
& œ œ nœ J œ jœ œ œ œ ˙ p
& B
Vla.
˙
˙
? bœ >
Vc.
?
œ
p
Cb.
? œ ‹ p ¢
?
˙
p
œ
p
j>œ
œ œ nœ Jœ jœ œ Lœ œ 7
> œ
˙
M.S.P.
Œ
b>œ J>œ b>œ ord.
˙™
ord.
˙™
œ
fff
œ >œ-Lœ œ
œ œ Jœjœ œLœ n>œ J
ord.
3
#œ ™ J
œ nœ J œ jœ œ œ œ p
7
œ œnœ J œjœ
œ
6
˙™
5
œ jœ œ œ œ œ œ œ œ œ œ œ œ > > p
n œ J œ j œ œ Lœ œ
œ >
œ
3
nœ nœ Jœ jœ œ Lœ œ 7
œ
>-œ
M.S.P.
dim.
fff
j>œ
b>œ
b>œ
b>˙ ™
J>œ
j>˙
3
M.S.P. b>˙ ™ M.S.P. b>˙ ™ ff
Breitkopf MM 2385419
L -œ 3
bœ >
M.S.P. ff
≈
œ œ
3
˙™
ff
ord.
>œnœ
M.S.P.
œ
5
6
Sample page fff
ord.
Vln. II
J>œ
n>œ
ff
>-o
5
Œ
J>œ
5
b>œ
ff
‰
fff
> J -œ jœ œLœ œ œ nœ Jœjœ œ Lœ ® œ œœ œ
˙
b>œ. J
œ
M.S.P.
Leseprobe >-o
>-o
œ nœ Jœjœ œ Lœ
M.S.P.
> # -œ ™ ≈ ≈ J
fff
77
œ >-œ
ord.
œ jœ œ œ
<#>œ R
7
fff
3
œ œ œ
6 œ œ nœ Jœ jœ nœ Lœ œ œ nœ J œ jœ nœ
>ord. # ≈ œJ œ
7
5
p
fff
>-o
6
>-o
6
p
>-o
>-o œ
fff
5
>œ ™™
˙
Vc.
Cb.
‰
˙
œ >œ-
Lœ œ œ nœ J œjœ œ jœ œ œ œ œ œ
j œ œ Lœ œ 3 œnœ Jœ jœ œ Lœ œ œnœ J œ jœ œ œ œ œ œ p
˙
7
M.S.P.
fff
M.S.P.
ord.
Vla.
K #>-œ
ord.
p
ord.
15
œ > œ > œ >
-œ
16
Christian Mason
8
° & 79
Vln. I
& &
Vln. II
B
Vla.
? Vc.
Cb.
?
?
J -œ j -œ
œ- n œ-
dim. 3
fff 6
5
nœ nœ J œ jœ œ œ œ œ > p œ œ-
J œ-
œ-
j-œ
ord.
L-œ
3
j>˙
3
œ
œ
fff
-œ
-œ n-œ Jœ -
j-œ
3
L-œ
œ-
p
-œ
>-œ J œ- j œ- nœ J
œ-
œ-
3 3
œ-
-œ
-œ
ord.
˙
˙ >
Leseprobe
p
L-œ
3
-œ
œ-
nœ œ R
7
dim.
Lœ-
3
œ-
M.S.P.
œ 3
ord.
b˙ >
œ
˙
˙ >
ff
> w
˙™
ord.
p
ff ord.
˙™
œ
Ϫ
œ
œ
b˙ >
œ
j œ- ™ >
œ
˙
3
ord.
fff
œ-
3
œ
#>œ ≈ J
œ
-œ nœ Jœ jœ - - -
-œ 3
7
œ >
L-œ
-œ
3
3
œ œ œ œ 5
‰
? œ ‹
¢
>-œ
M.S.P.
#œ
>˙
ord.
>˙
p
#˙ >
ff
= ° & œ - n œ81
Vln. I
& œ
5
Jœ>
J œ- j -œ œ œ- p
M.S.P.
j-œ
-œ
-œ
œ- Lœ-
-œ
Vln. II
B
Vla.
?
3
-œ œ
Ϊ o
>˙
?
œ
>˙
p
Cb.
¢
˙
3
#œ > p
œ-
˙
J -œ
n œ-
j -œ n -œ j œ- œp
III ord.
œ œ R o
œ >
? ‹ >˙™ p ?
7
5
œ >
p
Vc.
-œ
œ j œ-
j -œ
œ -œ
Ó
o
˙
Sample page div. in 4 solo 1.
œ-
-œ
3
& n-œ Jœ- jœ- nœ- Lœ- œ œ - - n œ- J œ3
Œ
3
œ
p
-œ
œ #œ ™ J
-œ
œ
˙
˙™
#˙
œ
7
7
f sempre legato, poco a poco piu dolce
Jw
w
n-œ ™ J
I >-o œ
j œ. ‰ >
Jw
w
j œ. >
œ >
œ
œ >
œ
Jœ
œ œ™™
>-o
‰
œ
3
œ
œ œ™™
>-o œ
r œ œ. j ‰ >
Breitkopf MM 2385419
r M.S.P. œ œ. j > fff
>-o
I
>-o
III
fff
Jœ
Ϫ J
‰
œ
>-o
>-o 7
>-o
7
>-o
>-o
-o
5
nœ
>-o
>-o
IV
M.S.P.
œ
o
6
fff
3
Œ
>-o
>-o
fff
M.S.P.
o
˙
mf
M.S.P.
Ó
>-o
>-o >-o
Voix Céleste
17
9
Becoming veiled and mysterious rall.
L
°B ˙
Ϫ
84
7
f solo 2.
B Vla.
B B
Cb.
? bœ > > ? bœ ‹ ¢
Ϫ J
‰ œJ ˙ Ó
pp
Œ
j>œ
b>œ
J>œ
bœ >
˙™
n˙ ™ >
°B ˙™ 88
Vla.
B
œ p
B
œ
5
ŠϪj
f
œ >
˙
œ >
˙
p ord.
f
p
f
˙™
p
poco S.P.
˙ >
œ nœ-
pp
poco S.P.
senza vib. molto flautando
7
œ œ #œ- ˙
œ
œ #œ
˙
œ
r œ nœ
#œ ™ œ œ -
˙
f
œ ™ n-œ ˙
œ nœ ™
œ
5
p
˙
Ϫ
f
˙
˙ >
˙
#œ- ˙
œ ˙™ R
˙
˙ >
˙
˙ >
˙
˙
Ϫ
˙ >
I >-o œ
œ
˙ >
˙
>˙™
pp
f
˙
p
>-o
˙ >
œ fff
3
œ >œ b>œ
>o >-o >œ œ
fff
M.S.P.
w >
˙ >
Breitkopf MM 2385419
3
œ >œ >œ
>-o
j œ. ‰ œ >
fff
#œ J
senza vib. molto flautando
Ϫ -
œ
œ
Ϫ
>-o
>-o >-o
f
>-o
>-o
7
>-o >-o
>-o
œ
III
w >
5
œœ
pp
>-o
IV
Cb.
?
œ
3
fff
M.S.P.
bœ >
pp
f
M.S.P.
˙
6
#˙
p
˙ >
#œ- nœ œ œ œ ™
f
5
œ
f molto flautando senza vib.
6
œ
I
¢
7
p
M.S.P.
? ‹ #˙
œ kœ œ >-
œ
œ
Sample page
r nœ- ˙
3
œ >
f
w >
Vc.
?
pp
poco S.P.
w
œ
poco S.P.
˙ >
#>˙ ™
w
pp
f
f
œ #œ #œ œ
p
3
f
˙
b˙
nœ- œ œ œ >
6
#œ
b˙
f
7
˙
5
œ #œ
f
j˙ >
3
j7 œ™ #œ
œ nœ- œ
˙
pp
œ#œ œ ™ -œ œ #œ œ 5
p
?
mf
œ
w
7
œ
w
w
œ >
f
œœœ 6
œ #-œ 6
b>˙
p
6
#œ
mf
œ
pp
p ord.
j7 #œ- ™ nœ œ
œ ˙
ord.
J>˙
˙™
B œ œ#œ œ œ #œ œ
7
f
f
pp
˙™
™ >˙
=
poco a poco meno vib.
Leseprobe p
ord.
n˙ ™ >
> ? bœ
j>˙
3
˙
œ œ œ
≈ œ -
∑ ord.
7
7
5
ord.
œ™ œ J -
œ œœ œ
#œ
6
∑ 5
œ
œ
ord.
∑
solo 4.
Vc.
mf
∑
solo 3.
? bœ >
˙™
#-œ œ R
>-o
o >-o >-o >-
>-o
-o 5
pp
>-o
>-o
5
>-o
œ-
>-o
18
Christian Mason
10
M floating, drifting, aimless
° B
q = 80 - 88
92
œ
7
#œ- K œ œ
j œ™ œ
B œ
7
œ
pp
6
B
˙
5
œ
œ™ œ
pp
œ œ œ™ œ œ
pp
˙
œ
3
j r5 #œ- œ nœ
˙™
Ϫ
Vc.
> ? b˙ > ? bœ ‹
Cb.
¢
> ? bœ
j>˙ 3
J˙ >
j>˙ 3
J˙ >
ord.
œ
f
5
˙ >
poco S.P.
˙
n˙ ™ >
˙ >
K œ- ™
>˙
Πo
w >
w >
w >
#>˙ ™
ord.
n>˙ ™
pp
7
œ-
˙
pp
œ
r5 œ K œ-
œ
pp
#œ œ#œ œ œ œ ™
Ϫ
f
˙™
Πo
Ó
˙ >
ppp
>o w
ord.
pp
6
5 r j3 œ #œ œ #œ
˙™
pp
#œ- K œ œ œ
˙ j œ
˙
pp
œ #œ- œ pp
œ
pp
˙
œ
j Kœ ™
f
œ nœ#œnœ#œnœ
poco S.P.
7
œœœœœœœ
Leseprobe f
ord.
œ ™ Kœ -
œ #œ-
j7 œ™ kœ> 6
f
pp
w
> ? b˙
kœ-
6
f
senza vib. molto flautando
œ œ Kœ œ 7
#œ
œ
#˙-
œ
f
B
7
7
f
œ œnœ œ œ œ ˙ -
Vla.
œ kœj™ œ œ œ œ >-
dim. poco a poco
œ >
˙ >
#˙
f
3
˙
p
= rall.
°B ˙™
Sample page
96
B œ Vla.
j7 K œ ™ kœ >
kœ- ™ œ œ œ ˙
œ kœ œ œ
r œ #œ- œ
5
B œ Kœ ™ ˙ ? Ó Vc.
Cb.
?
˙™
>o ? w ‹
¢
?
w
Kœ
pp
5
f
pp
œ #œ- œ
#˙
f
B ˙
˙
f
6
7
œ
œ™ kœ œ œ œ 6
f
3
j Kœ œ
˙
pp
œ kœ œ œ œ ˙ f
>˙
œ
pp
œ
˙™ Ó >o w
œ
œ Kœ ˙
œ#œ œ œ ™ 6
œ
Kœ
œ
pp
œ kœ ™ œ œr >5
5
Ϫ
#œ-
Kœ
œ œœ
f
pp
Œ o ˙ > pppp
Ó ˙™
∑
K œ kœ œ™ œ 6
f
œ #œ- ™ 5
˙
pp
Breitkopf MM 2385419
œ
ppp
˙™
>˙
f
Πo
pppp
Πo
w >
#>˙ ™
œ
œ kœ œ ™ œ œ ˙ >-
w
Ó
˙ >
ppppp
>o w
ppppp
pppp
o
#˙ ™
kœ>
7
f
ppp
Πo
7
œ >
ff
#˙
˙ >
3
˙
p
Voix Céleste
19
11
N
molto rall.
q = 60 - 66
° & 100
Vln. I
&
Vln. II
B B Vla.
Ϫ
œ
Vc.
Cb.
?
∑
∑
∑
∑
∑
∑
j œ œ
?
œ
#œ
ppp
#œ-
7
œ #œ œ K œ- #œ œ ˙
œ
œ
ppp
6
˙
œ
K˙ ™
w œ- kœ œ œ™ œ 6
ppp
f
˙
j œ œ
3
w
K˙
œ
˙™
>˙ ppppp
Πo
w
œ kœ ™ >-
˙
w
f
Πo
˙ > ppppp
>o w
Ó
˙™
w ppp
˙™
>˙
Πo
w >
#>˙ ™
∑
pp
104
ppp
B Vla.
B B
kw
Cb.
?
w
˙™
>o ? w ‹
¢
?
f
˙™
˙™
w
U Πo U Πo U Πo
˙™
w
? Ó Vc.
˙™
˙™
>˙ ppppp
Πo
Ó
Œ
U Œ o U Œ
Œ
U Œ o U Œ
>˙™ o
Ó
Breitkopf MM 2385419
œ >
fff
Sample page U Πo
Πo
ppppp
=
° B w
w
ppp
Ó
o
f
w
Leseprobe f
˙™
j œ™ œ œ™
œ
r5 œ kœ >-
>o ? w ‹
¢
œ
7
f
ppp
? Ó
∑
7
ppp
B K˙ ™ B
∑
K œ kœ œ >-
j œ #œ ™ œ 7
q = 40 - 48
Ó
˙ >
ppppp
>o w #˙
3
˙ >
˙
p
20
Christian Mason
III hymn of hope - hymne d'espoir A
Violin I [6 players]
Violin II [5 players]
Viola [4 players]
Violoncello [4 players]
° 6 &4
warm, peaceful, contemplative, with ever growing intensity h. = 20 solo senza vib.
b ˙ ™ b ˙ppp
6 &4
∑
6 &4
∑
B 46
∑
œ
=
∑
∑
∑
? 46
∑
∑
vary beating micro-
w ™™™ ? 46 bl J ww
2.3.4. intervals around Bb div. senza vib.
bw- ™
solo senza vib.
?6 ‹ 4
∑
o ∑
IV solo 1. senza vib.
bœ K œ œ ˙ -
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
senza vib.
nw ™
œ
pppp
bw- ™
senza vib.
solo
ppp
œ ™ bœ ™ œ Œ Œ o b-˙ ™ ˙™ -
Ó™ o
œ b˙
w™ -
J œ j ˙p
∑
4.5.6.
b˙
p
œ- b ˙ ™
mp
˙
œ- œ ˙
bl J w ww ™™™ o p
J˙ ™
pp solo
p
b˙ ™
? b˙ ™ p II
?
b-˙
p
mp
b ˙- ™
˙™
˙™ œ
˙™
2.3.4. unis.
p
mp
& ˙ bœ J ˙ ‹
? bœ Ó ™ ¢‹ ˙ o
˙™
œ
ppp
˙™ ˙™ -
p
pp
Ó™ o Ó™
o
b˙ ˙™
mp
bœ
mf
f
o ˙™ ˙™
˙- ™
pp
n˙- ™ p
pp
˙™ -
Ó™ o
b-˙ ™
o œ Œ -œ bœ K œ- -œ œ ˙œ o mf
n˙ ™
pp
o œ œ-
b˙ b˙
œ™ b œ ™ œ
Œ Œ
o
n˙- ™ f
sul pont. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Œ ™ ™ ™ ™ ™ ™ w w w w w ˙ ˙ w ™ w ™ w ™ w ™ w ™ ˙ ™ ˙ w ™ w ™ w ™ w ™ w ™ ˙ ™ ˙ o pp mf f poco sul pont. b˙ œ™ œ ™ ˙ nœ œ w b˙ œ™ œ ™ ˙ nœ n˙ bwb˙ n˙ bwwpp
˙™
b˙
bœ ˙™
Ó™ o
œ b˙
Sample page
p
˙™
o ˙™
pp
w™ -
p
pp
p
pp mf
pp 3.4.5. div. ord. (upper 8ve solo) IV
mf
pp
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Œ Ó™ Œ Œ œ J ˙ ™ j˙ & w ™ w w ˙˙˙ ™™™ ˙˙˙ ww ™™ ww ™™™ ww ™™™ œ- J ˙ ™ j ˙ o poco sul pont. ppp mf mf sempre III b˙ œ™ -œ ™ ˙ nœ -œ w 1. -w n˙ bwb˙ n˙ wB Ó™ ˙™ B
b w- ™
o œ
j˙-
(solo)
h. = 26 1.2.3. div. (upper 8ve solo)
b˙ ™ b ˙- ™
sul pont.
2.3.4. ord.
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w ww ™™™ mp
j˙
˙™
poco piu mosso
IV
o
& ‹
˙ bœ Ó ™ o
D
Ó™
Ó™ o
˙™
∑
ppp
vary beating microintervals around Bb
w-
pp
˙
bl J w ww ™™™ o
Leseprobe ppp
Ó™ o
˙™
b˙ bœ
œ ˙™
vary beating microintervals around Bb
sul pont. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ˙˙˙ ™™™ ˙˙˙ Œ w w w ww ™™™ ww ™™™ ww ™™™ o pppp mp b˙ ™ b-˙ œ ˙™ bœ K œ -œ -œ ˙ ˙ nœ ™ Ó™ Ó o o p p pp
bl Jw ww ™™™ o senza vib. III o solo 1. ˙™ n-˙ ™ ∑
∑
J˙
b˙ ™
3.4.5. div.
∑
molto sul tasto
vary beating microintervals around Bb
2.3.4. div.
senza vib.
solo
∑
& w-
Cb.
˙™
∑
poco piu mosso
1.2. unis. sempre IV
Vc.
œ
h. = 22
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ solo 2. sul pont. ord. ww ww ˙˙˙ ™™™ ˙˙˙ w ™™™ w ™™™ Œ o b w- ™ p pp
ppp
?6 ¢‹ 4
&
Vla.
J ˙ ™ j ˙ppp ∑
B 46
Vln. I
Vln. II
Ó™
senza vib.
ppp
C h. = 24
° & 9
∑
˙™ o
solo 1.
ppppp
Contrabass [2 players]
Ó™
poco piu mosso
B
p
b˙™
pp
˙™
b˙ ™
b-œ K œ -œ ˙
-œ n˙ ™
p
mp
b -˙ ™ p
˙™
p
pp mf
˙™
b˙ ™
-˙™
œ b˙
œ™ b œ ™ œ
mp
bœ ˙ ™
j ˙ bœ ˙ ™
˙
b-˙ ™
bœ Ó ™ o
p
b˙ -˙™
mp
mf
ΠΠo
solo 4.
b ˙- ™ mf
bœ
pp
˙™
˙™
Ó™ o
Ó™
˙™
sul pont.
f
˙™
J˙
œ b˙
Ó™ o
Breitkopf MM 2385419
mf
bœ
˙™
o œ œ-
f
pp
mf
o ˙™ ˙™
bwmf
b˙™
˙™
Ó™
˙™
pp
b˙- ™
n˙ ™
o
mf
mf
bœ
˙™
˙™
f
˙
˙™ f
j˙ bœ Ó ™ o
nœ
mf
pp
˙™ -
f
n-˙ ™ f
sul pont.
ord.
b ˙- ™
pp
o sul pont. ææ œ Œ Œ ™ J w b l w œ -w ™™ > o f b˙ œ™ -œ ™ ˙
- - Œ Œ œ bœ K œ œ œ ˙
sul pont.
mf
mf
1.2.3. unis.
˙ ™ b˙ -˙™
pp
bœ
œ™ b œ ™ œ ˙™ b-˙ ™
ord.
mf
b˙
ΠΠo
?
bœ ‹
sul pont.
˙™ -
f
Voix Céleste 2
poco piu mosso
E
h. = 28
° b˙™ & 17
Vln. I
1.2.3.
b -˙
œ-
F J ˙ j œ- ˙™
f
& b˙ ™ ˙- ™
4.5.6. non div.
f
& œ ˙- ™
1.2.
b˙ -˙
piu sul pont.
œ œ-
p
f
& w ™ ww ™™
œ -˙ ™
1. piu sul pont.
B
f
? b˙ ™ p
Vc.
p
J˙
œ
? b4.w- ™ f
f
poco piu mosso
G h. = 32 >>25 b Ȯ ™ bb Ȯ ° b ™ & b >-˙ ™
fff
Vln. I
&
fff 1.
& ˙ Vln. II
˙
fff
B Vla.
> b-˙
p
fff
molto sul pont. 3.4.
B b˙- ™ >
fff
>& b˙ ™
1.2.
Vc.
˙ b˙> b˙>
fff 3.4. div. non trem. ord.
>- ™ bw ? bw ™ fff
? bw ™ Cb. ¢ ‹ b w- ™ >
non trem. molto sul pont.
fff
p
b˙ bœ ˙™
w™ -
bw- ™
œ-
j ˙ bœ
n˙ ™
f
n˙- ™
b˙
˙™
> b -˙ b˙
œ œ
molto sul pont.
˙ b˙>- >
ff
œ b >-œ K œ œ >-œ ˙
n>-˙ ™
n>-˙ ™
> J -œ j ˙
>˙
œ b >œ- K œ œ >-œ ˙
n>-˙ ™
n>-˙ ™
n˙>
w
> J-œ j˙
ff
ord.
ff
fff
>-˙ b>˙-
molto sul pont.
˙
>˙
p
æ æ ˙˙æ˙ ˙˙æ˙ > >
b-˙ ™
ff
ff
bœ
> n-˙
w
>œ
f
J ˙ bœ
˙™
bw7 ™ b w- ™ ff
H
√ ∑
>œ-
˙™
ff
p
ff
bw
> b -˙
p
ff
œ bœ K œ œ œ ˙ > >
˙ >-
j˙
b˙ bœ ˙™
J ˙™ J˙ ™
j >˙j˙
bw
> n-˙
w
b œ K>-œ >œ- >˙bœ K œ œ ˙ f
bw
b >-˙
ffff
J˙ ™ J˙ ™ >- ™ w w™
f
w™ w- ™ >
f
j˙> j˙>
œ >œ >-
bœ K œ- œ ˙> >- > f
ffff
bœ K œ œ ˙ >- >- >-
√ ∑
œ >-
f
bw ™ p
?
ffff
bœ Œ Œ Œ b œ>
ppp
1.2. unis. ord.
Ȯ
fff
7 ˙™ -
w7 ™ w- ™ p
bw7 ™ b w- ™
b˙7™ b ˙- ™
˙7™ ˙- ™
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
w~ ™™
mf
∑
™ w~ ™
solo 1.
ff
Œ Œ&
∑
pp
™ w~ ™
solo 2.
∑
o
pp
solo 2.
w™
p
b w~ ™™ p
√ ~w™™
ppp
ffff
Breitkopf MM 2385419
w~ ™™
mf
∑
∑
bw ™
∑
solo 1.
3.4. unis. b >œ√ bœ Œ Œ Œ Ȯ w~ ™™ ffff
n-˙ ™ > bœ.
bœ ˙™
poco meno mosso
solo 1.
√ ∑
œ >-
n˙- ™ >
p
> n-œ
pp
√ ∑
ffff
n-˙ ™ >
œ™ œ ™ ˙
h. = 18
√ ∑
>œœ
ff
b˙- ™ 7
ffff
>œ œ
n˙- ™ >
h. = 20
√ ∑
ffff
p
tempo I
√ ∑
nœ>
bw- ™ 7
Sample page w
n˙>
b>-˙
œ™ œ ™ ˙
7 w™ -
p
trem. irreg. sul pont.
>Oœ
Jœ- j˙ >
> b-˙
cresc.
ff
ffff
b œ K >-œ >œ- >˙-
œ
bw- ™ 7
˙™ -˙ ™
h. = 40
b-˙ >
bw
œ bœ- K œ œ œ ˙ > >-
˙ >-
p
trem. irreg. sul pont.
-˙™
b˙ ™ b -˙ ™
bw ™ b w- ™
b-˙ ™ >
p
mf
j >-˙
œ >-
b >-˙ ™ b˙ ™
> J -œ j ˙
Leseprobe bœ- K œ œ ˙ -
p
J˙™
œ >-
œ
æ bl J ˙˙æ˙ >
œ™ -œ ™ œ ™ nœ ™
b˙
>- b O >- >- >Oœ b œ KK Oœ b O Ȯ œ
>œ œ
b >˙b˙
> b -˙
h. = 30
˙
ff
>jj Ȯ
fff
b >-˙ ™
ff
p
ææ bl J w ww ™™™
>- J Ȯ ™ Oœ J ™
b˙>
n˙ ™ n ˙- ™
f
f
b >-˙ ™ & b˙ ™ ˙
n˙ ™ n˙ ™
molto sul pont.
f
˙™
accel.
>œ
b >˙-
p 2.3.4. non div.
1.2.
p
w™ w- ™ p
div.
p
bw-
p
? bw ™ Cb. ¢ ‹ b w- ™
=
f
n˙
J˙ jœ ˙™ -
n-˙ ™
œ™ œ ™ œ ™ nœ ™ -
w ww ™™™
f
œ-
œb˙
bw-
p
w-
b˙
B b˙-2.3.4. ™ b-˙ f 1.2.3.
p
w ww ™™™
p
n˙ ™
poco piu mosso
ff
bœ- K œ œ ˙ -
n˙
w-
œ-
p
J ˙ jœ ˙ ™ ˙ œ- ˙ ™
b˙
f ord. 3.4.5.
Vln. II
Vla.
b œ- K œ -œ ˙
21
o
bw ™ p
∑
o w™
pp
b w~ ™™
w~ ™™
∑
w~ ™™
pp
bw ™ pp
w~ ™™
mp
∑
pp
solo 2.
w™
mp
∑
p solo poco sul pont.
w~ ™™
w™
o
22
Christian Mason
3
poco meno mosso
° Vln. I & 33
Vln. II
h. = 16 solo con sord. senza vib.
w™
bw ™
w~ ™™
p
∑
∑
o w™
ppp
b w~ ™™
U ∑
∑
U ∑
∑
U ∑
∑
? bw ™ ¢‹
ppp
Leseprobe w~ ™™
mp
˙™
Ó™
o
U ∑
∑
U ∑
w~ ™™
∑
U ∑
w™
∑
U ∑
∑
ppp
?
o
U ∑
∑
pp
ppp
?
™ w~ ™
∑
B
Cb.
∑
pp
Vla.
L˙ ™ p
& ~ ™™ w
B
˙™
ppp
&
Vc.
w™
ppp
Sample page
Breitkopf MM 2385419
www.breitkopf.com